stan in colo
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Anyone know what this detector is worth. Good condition.?
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Dave J. said:Call me biased if you like (I designed it), but here's my summary.
Light weight easy to use VLF gold machine, about 18 kHz. Manual ground balancing, if you don't have that skill it's not for you. Basic ability to detect a buried gold nugget comparable to the best 15-20 kHz gold machines nowadays. In light mineralization, it doesn't hit very loud so you'll need to use headphones. It excels (compared to most other VLF's) in noisy ground. No "discrimination", but has a second ground balance knob you can access with a flip of a switch to calm down a suspected hot rock, a feature which is to my knowledge unique to the Diablo MicroMax. The GB2 running at 71 kHz will knock its socks off on the smaller nuggets, but costs more. From the perspective of history and platform evolution, it was the analog circuit proving ground for the Lobo Supertraq.
Every design engineer has certain products they're proud of, and ones they're not so proud of. Doesn't necessarily have anything to do with the popularity or market success of the product. It's no secret that I regard the Diablo MicroMax as one of my all-time best designs. Still have one a gift from Jim Straight) and won't part with it.
All that is why 20 years later it has a cult following. Why did Jack take it out of production so soon after its release? I could speculate on that, but bottom line is that I don't know. And Jack's no longer around to answer the question himself.
Sorry, D&P, that's something I don't know anything about. I did gold machines for Jack for 2 years and some other stuff that never saw the light of day. Wasn't involved with the traditional Jack products and for the most part don't even know what they are.D&P-OR said:Dave-----Same question---why did they take the great Bandito 2 micromax out of production & replace it with the Eldorado!---Mistake IMO.----Rusty Henry himself don't know why they ever did that
umax said:I happened upon the 3x7 Tesoro white coil, 4 pin, first one I have ever seen and now attached to my Diablo UMax, all I have to say is, Oh My Goodness and got rid of the 10 inch beast...Will call Tesoro to find out about sending the detector in and having the coil tuned to the detector...
umax said:I happened upon the 3x7 Tesoro white coil, 4 pin, first one I have ever seen and now attached to my Diablo UMax, all I have to say is, Oh My Goodness and got rid of the 10 inch beast...Will call Tesoro to find out about sending the detector in and having the coil tuned to the detector...
Mike D. said:If the Tesoro Diablo MicroMax is precursory to the development of the Lobo SuperTrac, where does the older non-surface mount Tesoro Lobo fit into the spectrum of these machines?
Thanks.
Mike D.
Hola dave johnson como le va? Un placer he leído mucho sobre los detectores que diseño y me gustaría saber si tiene el pcb layouts de el diabloumax y lista de componentes. Desde ya muchas gracias.saluda atte martin vastik desde Argentina.Call me biased if you like (I designed it), but here's my summary.
Light weight easy to use VLF gold machine, about 18 kHz. Manual ground balancing, if you don't have that skill it's not for you. Basic ability to detect a buried gold nugget comparable to the best 15-20 kHz gold machines nowadays. In light mineralization, it doesn't hit very loud so you'll need to use headphones. It excels (compared to most other VLF's) in noisy ground. No "discrimination", but has a second ground balance knob you can access with a flip of a switch to calm down a suspected hot rock, a feature which is to my knowledge unique to the Diablo MicroMax. The GB2 running at 71 kHz will knock its socks off on the smaller nuggets, but costs more. From the perspective of history and platform evolution, it was the analog circuit proving ground for the Lobo Supertraq.
Cada ingeniero de diseño tiene ciertos productos de los que está orgulloso y de los que no está tan orgulloso. No necesariamente tiene nada que ver con la popularidad o el éxito de mercado del producto. No es ningún secreto que considero al Diablo MicroMax como uno de mis mejores diseños de todos los tiempos. Todavía tengo uno, un regalo de Jim Straight) y no me separaré de él.
Por eso, 20 años después, tiene seguidores de culto. ¿Por qué Jack lo sacó de producción tan pronto después de su lanzamiento? Podría especular sobre eso, pero la conclusión es que no lo sé. Y Jack ya no está para responder la pregunta él mismo.