I make no excuses for being able to type or read fast, so no...It probably doesn't have as many tone variations as words I can type in a day, as fantastic as the detailed audio on the Sovereign is. Right back at ya...
Be nice if a thread stuck to the subject at hand without personal snubs. What does any of this have to do with exploring the audio potential of these BBS units? If I wanted to roll that way I've got plenty in the hopper for several, but not my bag when it comes to the topic of detecting. I reverse such things for other far more important matters in life. Often doing otherwise shows rather poor motivations IMO, which I don't feel this is the proper place to spell out, and so I won't...
So if anybody has anything useful to say about the audio tone variability of the BBS units, and beliefs or disbeliefs in what he appears to have found by analyzing it, I'd like to hear views on that.
I can say that I'm well able to hear the distinct lower tone of nickels versus tabs even without referencing the meter, as well as most foil and other low conductors versus nickels. Silver appears to have a somewhat sweeter sound to it in certain ways than clad, but I can't always hear that and rely on the meter and how quick it jumps up to 180 to confirm my suspicions, but also have to contrast that to how deep the target sounds, as silver at depth can have issues with it's climb rate.
Wheats tend to linger for me in the 178 or 179 area even if they do make it to 180 with enough wiggle work. Clad quarters are more broad in their response even though they can jump up to 180 rather quick. Hardest for me is telling clad dimes from wheats. Their VDI response is very similar in how slow they get to 180, but often but the somewhat more mellow tone of a wheat I can sometimes gleam a hint to that versus clad.
George, another option for you might be to adjust the tone pot inside the Sovereign to either a higher or lower total scaling of target responses, based on your hearing abilities. If you have high or low frequency nerve damage, moving the span of tones up or down in pitch might help. I have been thinking about adding a piggyback external POT control to the GT for such a thing, where I could make say low or mid conductors more easy to hear when after those, and also the same for silver when after that.
I was used to a somewhat slightly higher pitch for silver on my QXT and it took me a while to adjust to the slightly lower tone of the GT on those, but now that I've trained my ears to it I have put the idea on the back burner for now. If I do go that route, I plan to mark the external piggy back POT control (with the internal one untouched from the factory) to presets of "stock", "low/mid conductor tone mode", and "old coin mode".
Then I'd be able to adjust it to my liking from there for different forms of hunting. Not sure it would offer me any advantage, as I can seem to hear all the important low to mid to high tone separations fairly well. The pitch of silver on the GT is so close to what it was on my QXT anyway that there probably wouldn't be much point to it. Maybe with a 2nd older model Sovereign in my line up I might experiement on that unit with such things.