Johnp3 said:
Randy, that was a nice test report. Can you share the entire report, or share some of the things that needed improvement? I'd like to get a balanced picture since no detector is perfect!
Thanks John..
.... there one feature that could trip up somebody new to an analog, manually controlled machine like the Outlaw. This is what ToneTime mentioned in his post above about the Retune Button. I had read several reports by people that were having trouble with this red button. I talked to Rusty Henry about this and he said that his standard advice to the folks having trouble...When in Disc. mode, use the Mode toggle switch instead of the Red Button to access the all-metal mode for pinpointing. They evidently had heard from many people having this issue with the RETUNE button. Upon initially starting up the Outlaw, my advice is to have the 3 position Mode toggle switch set up in Auto, which is the far left position, that way you are in auto-tuned all-metal and can set your ground balance.
In my testing of the Retune button, I tried to duplicate the problems that were described by people having this trouble. I used this Retune button every time I used the Outlaw. When using the Outlaw in the Disc. mode..and you want to pinpoint with the RED BUTTON, you must realize that it is a two stage switch, a light press of the button to the first stage (light resistance) is at about the halfway point of travel and puts the machine in no-motion all-metal mode.Then a full press of the button would put you in threshold based auto-tuned all-metal mode (motion all-metal).
It would be easier to show a video than try to explain about all the functions of this red button... instead of writing about it, I'll press on, lets say we are using the Disc. mode of operation and use the 3 position mode switch to put the Outlaw in (middle position) of ALL-Metal,now, you are in no-motion all-metal. At this point a person without full understanding of this button could lead to problems. A person that is well versed with de-tuning in all-metal mode could use the red button to reduce the size of the signal or shrink it down to a very small area of audio. Then when done, raise the coil into the air and fully mash the RETUNE button down and return to the normal sensitivity of the coil. If you don't fully press the RETUNE button and switch to the Disc. mode, the signal is still desensitized, and that is the problem. Most novices would never need or use this feature anyway, and I would suggest using the 3 position Mode toggle to access the different modes of operation. I liked playing with the RED BUTTON, but that is just the way I like to experiment with different features on a machine.