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What do you MXT/MXT Pro users think about this? . . .

Tony N (Michigan)

Active member
Curious what your thoughts are.
I tried it but must be doing something wrong. If I go to Relic and flip the toggle forward it stays in pinpoint mode. Is that what it's supposed to do?
 
Tony N (Michigan) said:
MXT Advanced Settings for very deep coins etc.

Curious what your thoughts are.
I tried it but must be doing something wrong. If I go to Relic and flip the toggle forward it stays in pinpoint mode. Is that what it's supposed to do?

Hello Tony.

Yes, that is what it is supposed to do, the MXT Pro/AllPro with the keypad below the LC-Display.

Only the classic style MXT (I favor to call this so :) ) has different search modes by flipping the trigger forward.
On the later multi-tone MXT the trigger positions forward/pulled and held are "only" p/p.

But I think there will be a equal search mode available by using the keypad on the MXT Pro/AllPro.
And there are a lot of more tips & tricks on the WWW even to do the relic search in multi tone.

Good Luck with your MXT.

-vito
 
vito said:
Tony N (Michigan) said:
MXT Advanced Settings for very deep coins etc.

Curious what your thoughts are.
I tried it but must be doing something wrong. If I go to Relic and flip the toggle forward it stays in pinpoint mode. Is that what it's supposed to do?

Hello Tony.

Yes, that is what it is supposed to do, the MXT Pro/AllPro with the keypad below the LC-Display.

Only the classic style MXT (I favor to call this so :) ) has different search modes by flipping the trigger forward.
On the later multi-tone MXT the trigger positions forward/pulled and held are "only" p/p.

But I think there will be a equal search mode available by using the keypad on the MXT Pro/AllPro.
And there are a lot of more tips & tricks on the WWW even to do the relic search in multi tone.

Good Luck with your MXT.

-vito
Okay, thanks! I'll need to try this with my classic style MXT.
 
I'm sorry but I had to delete the thread to the other forum. It's not allowed on Findmall.
 
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