Sorry I misinterpreted your question......
In my opinion, the 230Hz Threshold tone of the X-70 is totally separate from the target tones, in the C/T mode. As khouse indicated, the Threshold tone seems to be replaced by the target tone, when a target is swept over. It is difficult to hear it fade out. But I am convinced I can hear a subtle abruptness in the 230Hz Threshold tone, as it returns.
In the C/T mode, the target audio tone (130Hz, 450Hz, 700Hz or 950Hz) is certainly a different pitch than the Thershold tone. There might be a specific target that would generate a tone in the multiple tone mode that was so close in frequency to the 230Hz of the Threshold tone that it might sound the same. But as one who hunts in all metal, multiple tone mode, I haven't heard one yet. But then again, if it sounds the same, would we hear it?
In the Prospecting mode, the Threshold tone remains, but changes in pitch and volume, dependent on the target.
The Whites detectors that I have currently have include the XLPro, XLT and MXT. On the single tone XLPro, the target tone seems to be an "extension" of the threshold tone. As I pass the coil over an accepted target, the threshold tone increases in volume. Same pitch as the Threshold tone. Just a difference in volume.
When I run the MXT in C/J mode, the single tone produced by the Threshold is the same pitch as the target tone. And just as with the XLPro, a target passing under the coil intensifies the "threshold tone" into a target tone. However, when I switch to the dual tone Relic mode, targets produce an audio response at a different frequency than the Threshold tone. Lower for targets below the rejection setting, and higher for accepted targets. And, it sounds to me as if the target tone and the threshold tone are both audible at that time. In other words, I don't think the threshold tone "goes away" on the MXT. In the CJ mode, the tone intensifies, indicating a target. In the Relic mode, the target tone "over-rides" the threshold tone.
When I run the XLT in the single tone mode, the results duplicate the single tone XLPro and the C/J mode of the MXT. However, when I switch the XLT to the multiple tone mode, targets react similarly to the Relic mode of the MXT in that both the Threshold tone and the target tone are audible simultaneously.
Based on these assessments, it would seem that running the Threshold tone at a "barely audible" level is more important on the White's single tone detectors than it might be on White's units capable of running multiple tones or the X-70.
This makes me wonder why Minelab instructs us to set the X-70 threshold to a "preferred" level. The reason they give is because small or deep targets might produce changes in the threshold tone that are so small, you won't notice a change in the sound. I understand that theory, if it were a single tone detector, the target tone was the same frequency as the threshold tone, and the threshold didn't fade out when a target tone is introduced. But in the case of the X-70, it seems to be none of the above. The target tones are a different frequency than the threshold tone. And, the threshold tone seems to "disappear" when a target is scanned.
Like I said, it is tough to hear it fade out. But it sure sounds "sharp" when the target tone goes away.
I'll have to do some more checking on the tone "fade". And also as to why the manual was written with such explicit instructions on setting the Threshold. I'll keep you posted.
JMHO HH Randy