I received it last week and have had a couple of opportunities to take it out. I thought I would post my first impressions in case anyone is interested.
First thing I noticed was how small and light it is. It is significantly smaller than my Tejon, which surprised me. First thing I checked was the ground balancing. Fortunately it is almost perfect for my soil. There is a very, very slight rise to the threshold as the coil approaches the ground. With my Tejon, I set the ground balancing slightly more positive, but the Golden is close enough that I'm not going to adjust it. They say there are 6 tones, but I think the way the Golden "speaks" to you with a combination of tones, that saying there are only 6 tones doesn't do it justice. I happened to notice a very distinctive sound for a copper penny, which was a high tone that ended with very small fragment of another tone. Zinc pennies don't sound the same. I can't wait to spend lots of time with this machine. It is going to a have a language even more complex than the Tejon.
As for pinpointing, it seldom seems necessary, but to do it, just flick the switch to the center position and you are in a VCO all metal mode. I do notice that the range of tones from low to high in the VCO mode is not nearly as broad as the Tejon. I use the VCO mode on the Tejon to judge depth, but that's probably not going to work so well with the Golden. That's my only criticism of this machine.
I'm still experimenting with the notch settings. After digging up a pull tab, I swung over it and flicked the switch to narrow. I then tuned the dial until the pull tab started to crackle. I think that's what you are supposed to do. Anyway, I turned the notch off until I got a signal that sounded like a slightly lower tone, but not the low tone for foil. I switched over to narrow notch, and the signal broke up. Sure enough, it was another pull tab. I will need to do a lot more testing to determine when or why I would use the wide setting.
I think overall, this machine is going to be a "winner".
Dan
First thing I noticed was how small and light it is. It is significantly smaller than my Tejon, which surprised me. First thing I checked was the ground balancing. Fortunately it is almost perfect for my soil. There is a very, very slight rise to the threshold as the coil approaches the ground. With my Tejon, I set the ground balancing slightly more positive, but the Golden is close enough that I'm not going to adjust it. They say there are 6 tones, but I think the way the Golden "speaks" to you with a combination of tones, that saying there are only 6 tones doesn't do it justice. I happened to notice a very distinctive sound for a copper penny, which was a high tone that ended with very small fragment of another tone. Zinc pennies don't sound the same. I can't wait to spend lots of time with this machine. It is going to a have a language even more complex than the Tejon.
As for pinpointing, it seldom seems necessary, but to do it, just flick the switch to the center position and you are in a VCO all metal mode. I do notice that the range of tones from low to high in the VCO mode is not nearly as broad as the Tejon. I use the VCO mode on the Tejon to judge depth, but that's probably not going to work so well with the Golden. That's my only criticism of this machine.
I'm still experimenting with the notch settings. After digging up a pull tab, I swung over it and flicked the switch to narrow. I then tuned the dial until the pull tab started to crackle. I think that's what you are supposed to do. Anyway, I turned the notch off until I got a signal that sounded like a slightly lower tone, but not the low tone for foil. I switched over to narrow notch, and the signal broke up. Sure enough, it was another pull tab. I will need to do a lot more testing to determine when or why I would use the wide setting.
I think overall, this machine is going to be a "winner".
Dan