The gain control is illustrated and explained on page 52 and figure 5.16 and 5.17. It is about a clear a mud to most folks but here is what they are trying to show. Look at my attached illustration. The red line indicates where Audio Gain is set. If set to 10 then we have a very steep red line. The blue lines represent what we would hear for weak and medium detected target signal strength. If set to 5 the red line has a more gradual slope so the blue lines are further apart on the signal strength line. The signal strength can change more with less increase in amplified signal loudness.
What this tells us is if we have Audio Gain set to 10 then just about any signal is going to blow our ears off. That is where tiny shallow bits of trash drive us up the walls. Ten is good in nice clear ground but is a real bear to deal with in heavy trash. With good headphones I have no problem with 4 to 6 in just about any situation. There is a nice clear high sound for deep coins that is noticeable softer than a shallow target. This is another way to tell depth. The strength of the audio in conjunction with the depth indicator makes it very easy to tell how deep a target and using the ID of the electronics we have a very good idea if it is a deep keeper.
What this tells us is if we have Audio Gain set to 10 then just about any signal is going to blow our ears off. That is where tiny shallow bits of trash drive us up the walls. Ten is good in nice clear ground but is a real bear to deal with in heavy trash. With good headphones I have no problem with 4 to 6 in just about any situation. There is a nice clear high sound for deep coins that is noticeable softer than a shallow target. This is another way to tell depth. The strength of the audio in conjunction with the depth indicator makes it very easy to tell how deep a target and using the ID of the electronics we have a very good idea if it is a deep keeper.