Erik, first off, in re-reading my post, where I said: "...
zinc is further from copper pennies..." (in regard to ferrous tones), I meant to say that zinc and copper pennies are closer together in tone, not further apart.
To answer your question of why this is, I don't know. Just try it for yourself:
1) take mid tone items like round tabs and square tabs, for instance, test them in ferrous, and you'll see that the tone-spread isn't that far apart.
2) take a zinc penny and a copper penny, in ferrous they won't be that far apart.
3) Now do the same tests in conductive, and you'll see that the spread is more. The lows seem lower and the highs squeek higher.
4) last test: take a piece of foil (like a gumwrapper size flimsy foil) and test it in each mode. Notice that it is bolder and higher tone in ferrous. But in conductive, it's wimpy and lower sounding.
So all I can say is, ferrous puts all the tones closer to mid-range, accentuating the lows, and not giving as much high tone to the highs. It just brings everything "towards the center" of the tone range a little more. Why that is, when the #'s and cross-hairs haven't changed, I dunno. It just is
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